Amazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going, clip-clop midtempo rhythms are too unvarying for their own good. Admiring friends such as Nanci Griffith, Emmylou Harris, Kathy Mattea, and Sam Bush make the harmonies surrounding Clark especially rich on "Dublin Blues," and Ramblin' Jack Elliott (the subject of an earlier Clark song) sings a duet vocal on "Hangin' Your Life on the Wall," a defiant anthem on old folks who refuse to slow down. The heart of any Guy Clark album, though, is the writing, and the writing on Dublin Blues is the work of a dogged perfectionist. --Geoffrey Himes, ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCDAmazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going, clip-clop midtempo rhythms are too unvarying for their own good. Admiring friends such as Nanci Griffith, Emmylou Harris, Kathy Mattea, and Sam Bush make the harmonies surrounding Clark especially rich on "Dublin Blues," and Ramblin' Jack Elliott (the subject of an earlier Clark song) sings a duet vocal on "Hangin' Your Life on the Wall," a defiant anthem on old folks who refuse to slow down. The heart of any Guy Clark album, though, is the writing, and the writing on Dublin Blues is the work of a dogged perfectionist. --Geoffrey Himes, ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCD , ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCD
Amazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going clip-clop midtempo r...
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Amazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going, clip-clop midtempo rhythms are too unvarying for their own good. Admiring friends such as Nanci Griffith, Emmylou Harris, Kathy Mattea, and Sam Bush make the harmonies surrounding Clark especially rich on "Dublin Blues," and Ramblin' Jack Elliott (the subject of an earlier Clark song) sings a duet vocal on "Hangin' Your Life on the Wall," a defiant anthem on old folks who refuse to slow down. The heart of any Guy Clark album, though, is the writing, and the writing on Dublin Blues is the work of a dogged perfectionist. --Geoffrey Himes, ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCDAmazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going, clip-clop midtempo rhythms are too unvarying for their own good. Admiring friends such as Nanci Griffith, Emmylou Harris, Kathy Mattea, and Sam Bush make the harmonies surrounding Clark especially rich on "Dublin Blues," and Ramblin' Jack Elliott (the subject of an earlier Clark song) sings a duet vocal on "Hangin' Your Life on the Wall," a defiant anthem on old folks who refuse to slow down. The heart of any Guy Clark album, though, is the writing, and the writing on Dublin Blues is the work of a dogged perfectionist. --Geoffrey Himes, ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCD , ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCD
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going, clip-clop midtempo rhythms are too unvarying for their own good. Admiring friends such as Nanci Griffith, Emmylou Harris, Kathy Mattea, and Sam Bush make the harmonies surrounding Clark especially rich on "Dublin Blues," and Ramblin' Jack Elliott (the subject of an earlier Clark song) sings a duet vocal on "Hangin' Your Life on the Wall," a defiant anthem on old folks who refuse to slow down. The heart of any Guy Clark album, though, is the writing, and the writing on Dublin Blues is the work of a dogged perfectionist. --Geoffrey Himes, ISBN13: B000002HGU ISBN10: B000002HGU Material Type: audioCD
Amazon.com
Guy Clark is a slow worker. Dublin Blues is only his seventh album since his debut, "Old No. 1," appeared in '75. The silver-haired Texan has praised the patient, meticulous process of hands-on craftmanship in songs like "The Carpenter," "Boats to Build," and "Jack of All Trades," and obviously applies the same approach to his own songwriting. The time is well spent, for this batch of songs resembles fine furniture; the words and music fit together so precisely that there's nary a seam nor a wobble. Clark's limitations are the same as ever. The cramped dimensions of his vocal tone and range make Johnny Cash sound like Luciano Pavarotti, and his easy-going clip-clop midtempo r...