Amazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording, this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydeco king Clifton Chenier to ivory tickler James Booker and Tipitina regulars the Neville Brothers, Gumbo is served up dirty, dark, and delicious. Husband-wife duo Carol Fran and Clarence Hollimon rear back to holler and hammer through "Door Poppin'," Eddie Bo puts bad-ass funk and swing to "Piano Roll," and Johnny Adams's "It Ain't the Same Thing" is as fine as swamp-rompin' R&B gets. --Paige La Grone
Product description
The Putumayo label's distinctively packaged "introduction" series winds up in New Orleans, as well as travelling briefly out to the swamps. As the title suggests, we get to hear everything from blues to funk, rock & roll to zydeco, often mulched up into a single fat-bottomed groove. All the tracks are short, no messing assaults on the dance floor, the running order liberally peppered with instrumentals. Guitars and horns get plenty of riffing and soloing space, but the piano is frequently king, especially when at the mercy of James Booker and Eddie Bo, both players favouring some heavily percussive key abuse. Clifton Chenier plays his accordion up against some furiously scraped rub board and Rockin' Dopsie slow-drags through "I'm Coming Home", a couple of strays from Putumayo's companion Zydeco compilation. On the vocal front, Johnny Adams has a clear lead, fronting his pumping band on "It Ain't The Same Thing", while Percy Mayfield contributes the atypically non-soul Louisiana and Snooks Eaglin takes it down the slow, gospel route with the closing "Nine Pound Steel". There isn't a bad track in sight, though one small complaint is the running time of barely 45 minutes rather than the hour-plus we would normally expect from a set like this. --Martin Longley, ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCDAmazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording, this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydeco king Clifton Chenier to ivory tickler James Booker and Tipitina regulars the Neville Brothers, Gumbo is served up dirty, dark, and delicious. Husband-wife duo Carol Fran and Clarence Hollimon rear back to holler and hammer through "Door Poppin'," Eddie Bo puts bad-ass funk and swing to "Piano Roll," and Johnny Adams's "It Ain't the Same Thing" is as fine as swamp-rompin' R&B gets. --Paige La Grone
Product description
The Putumayo label's distinctively packaged "introduction" series winds up in New Orleans, as well as travelling briefly out to the swamps. As the title suggests, we get to hear everything from blues to funk, rock & roll to zydeco, often mulched up into a single fat-bottomed groove. All the tracks are short, no messing assaults on the dance floor, the running order liberally peppered with instrumentals. Guitars and horns get plenty of riffing and soloing space, but the piano is frequently king, especially when at the mercy of James Booker and Eddie Bo, both players favouring some heavily percussive key abuse. Clifton Chenier plays his accordion up against some furiously scraped rub board and Rockin' Dopsie slow-drags through "I'm Coming Home", a couple of strays from Putumayo's companion Zydeco compilation. On the vocal front, Johnny Adams has a clear lead, fronting his pumping band on "It Ain't The Same Thing", while Percy Mayfield contributes the atypically non-soul Louisiana and Snooks Eaglin takes it down the slow, gospel route with the closing "Nine Pound Steel". There isn't a bad track in sight, though one small complaint is the running time of barely 45 minutes rather than the hour-plus we would normally expect from a set like this. --Martin Longley, ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCD , ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCD
Amazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydec...
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Amazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording, this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydeco king Clifton Chenier to ivory tickler James Booker and Tipitina regulars the Neville Brothers, Gumbo is served up dirty, dark, and delicious. Husband-wife duo Carol Fran and Clarence Hollimon rear back to holler and hammer through "Door Poppin'," Eddie Bo puts bad-ass funk and swing to "Piano Roll," and Johnny Adams's "It Ain't the Same Thing" is as fine as swamp-rompin' R&B gets. --Paige La Grone
Product description
The Putumayo label's distinctively packaged "introduction" series winds up in New Orleans, as well as travelling briefly out to the swamps. As the title suggests, we get to hear everything from blues to funk, rock & roll to zydeco, often mulched up into a single fat-bottomed groove. All the tracks are short, no messing assaults on the dance floor, the running order liberally peppered with instrumentals. Guitars and horns get plenty of riffing and soloing space, but the piano is frequently king, especially when at the mercy of James Booker and Eddie Bo, both players favouring some heavily percussive key abuse. Clifton Chenier plays his accordion up against some furiously scraped rub board and Rockin' Dopsie slow-drags through "I'm Coming Home", a couple of strays from Putumayo's companion Zydeco compilation. On the vocal front, Johnny Adams has a clear lead, fronting his pumping band on "It Ain't The Same Thing", while Percy Mayfield contributes the atypically non-soul Louisiana and Snooks Eaglin takes it down the slow, gospel route with the closing "Nine Pound Steel". There isn't a bad track in sight, though one small complaint is the running time of barely 45 minutes rather than the hour-plus we would normally expect from a set like this. --Martin Longley, ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCDAmazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording, this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydeco king Clifton Chenier to ivory tickler James Booker and Tipitina regulars the Neville Brothers, Gumbo is served up dirty, dark, and delicious. Husband-wife duo Carol Fran and Clarence Hollimon rear back to holler and hammer through "Door Poppin'," Eddie Bo puts bad-ass funk and swing to "Piano Roll," and Johnny Adams's "It Ain't the Same Thing" is as fine as swamp-rompin' R&B gets. --Paige La Grone
Product description
The Putumayo label's distinctively packaged "introduction" series winds up in New Orleans, as well as travelling briefly out to the swamps. As the title suggests, we get to hear everything from blues to funk, rock & roll to zydeco, often mulched up into a single fat-bottomed groove. All the tracks are short, no messing assaults on the dance floor, the running order liberally peppered with instrumentals. Guitars and horns get plenty of riffing and soloing space, but the piano is frequently king, especially when at the mercy of James Booker and Eddie Bo, both players favouring some heavily percussive key abuse. Clifton Chenier plays his accordion up against some furiously scraped rub board and Rockin' Dopsie slow-drags through "I'm Coming Home", a couple of strays from Putumayo's companion Zydeco compilation. On the vocal front, Johnny Adams has a clear lead, fronting his pumping band on "It Ain't The Same Thing", while Percy Mayfield contributes the atypically non-soul Louisiana and Snooks Eaglin takes it down the slow, gospel route with the closing "Nine Pound Steel". There isn't a bad track in sight, though one small complaint is the running time of barely 45 minutes rather than the hour-plus we would normally expect from a set like this. --Martin Longley, ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCD , ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCD
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording, this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydeco king Clifton Chenier to ivory tickler James Booker and Tipitina regulars the Neville Brothers, Gumbo is served up dirty, dark, and delicious. Husband-wife duo Carol Fran and Clarence Hollimon rear back to holler and hammer through "Door Poppin'," Eddie Bo puts bad-ass funk and swing to "Piano Roll," and Johnny Adams's "It Ain't the Same Thing" is as fine as swamp-rompin' R&B gets. --Paige La Grone
Product description
The Putumayo label's distinctively packaged "introduction" series winds up in New Orleans, as well as travelling briefly out to the swamps. As the title suggests, we get to hear everything from blues to funk, rock & roll to zydeco, often mulched up into a single fat-bottomed groove. All the tracks are short, no messing assaults on the dance floor, the running order liberally peppered with instrumentals. Guitars and horns get plenty of riffing and soloing space, but the piano is frequently king, especially when at the mercy of James Booker and Eddie Bo, both players favouring some heavily percussive key abuse. Clifton Chenier plays his accordion up against some furiously scraped rub board and Rockin' Dopsie slow-drags through "I'm Coming Home", a couple of strays from Putumayo's companion Zydeco compilation. On the vocal front, Johnny Adams has a clear lead, fronting his pumping band on "It Ain't The Same Thing", while Percy Mayfield contributes the atypically non-soul Louisiana and Snooks Eaglin takes it down the slow, gospel route with the closing "Nine Pound Steel". There isn't a bad track in sight, though one small complaint is the running time of barely 45 minutes rather than the hour-plus we would normally expect from a set like this. --Martin Longley, ISBN13: B00003OP1Q ISBN10: B00003OP1Q Material Type: audioCD
Amazon.com
Labels run the inherent risk of trivializing or marginalizing a region's music when they attempt to create a compilation. And yet Putumayo, which has made a musical-lifestyle name for itself by producing a bundle of these types of collections, does itself mighty proud with Louisiana Gumbo. Drawing from various statewide sources and time periods, Gumbo celebrates rather than appropriates. Merging blues, jazz, Cajun, and Creole influences along with country-inflected rock, R&B, and piano in the styles of boogie-woogie and fast-pumping Ferriday chording this group of selections is a magnificent representation of some of Louisiana's smartest and tastiest offerings. From zydec...