Amazon.com As musical activists in the 1960s civil rights movement, the Staple Singers were powerful voices for equality and change. And more than 40 years after Pops's daughter Mavis spent a night in a West Memphis, Arkansas, jail at the behest of a racist cop, she still remembers the terror of the experience, as well as the counsel of Dr. Martin Luther King. That episode is at the centerpiece of "My Own Eyes," one of the most moving offerings on this collection of songs of racial struggle in the '50s and '60s, produced by guitarist Ry Cooder and featuring backing from the original Freedom Singers and Ladysmith Black Mambazo. Throughout, the album proves both emotionally chilling and spiritually uplifting. On J.B. Lenoir's "Down in Mississippi" and Marshall Jones's "In the Mississippi River," for example, Cooder makes fine use of pounding percussion and snaky electric guitar to capture the danger and fear inherent in the Deep South at the time, while the title song and "Jesus Is on the Main Line" draw on gospel and the traditional framework of church hymns to promise positive solutions. Staples, who adlibs on several cuts, connecting the injustice of yesterday to the continuing marginalization of blacks in the wake of Hurricane Katrina, remains a remarkable performer, employing a throaty sensuality that rises from a deep well of tremulous emotion. If her album is musically uneven at times, her artistry and strength continue to shine as undimmed beacons. --Alanna Nash More from Mavis and the Staple Singers Have a Little Faith A Piece of the Action Only for the Lonely The Best of the Staple Singers Great Day The Staple Singers: Greatest Hits Product Description Soul and gospel legend Mavis Staples possesses one of the most recognizable and treasured voices in contemporary music. From her early days sharing lead vocals with her groundbreaking family group, the Staples Sisters, to her powerful solo recordings, Mavis Staples is an inspirational force in modern popular culture and music. From the Artist When we started our family group, The Staple Singers, we started out mostly singing in churches in the south. Pops saw Dr. Martin Luther King speak in 1963 and from there we started to broaden our musical vision beyond just gospel songs. Pops told us, "I like this man. I like his message. And if he can preach it, we can sing it." So we started to write "freedom songs," like "Why Am I Treated So Bad," "When Will We Be Paid for the Work We've Done," "Long Walk to DC," and many others. Like many in the civil rights movement, we drew on the spirituality and the strength from the church to help gain social justice and to try to achieve equal rights. We became a major voice for the civil rights movement and hopefully helped to make a difference in this country. It was a difficult and dangerous time (in 1965 we spent a night in jail in West Memphis, Arkansas and I wondered if we'd ever make it out alive) but we felt we needed to stand up and be heard. So for us, and for many in the civil rights movement, we looked to the church for inner strength and to help make positive changes. And that seems to be missing today. Here it is, 2007, and there are still so many problems and social injustices in the world. Well, I tell you we need a change now more than ever, and I'm turning to the church again for strength. With this record, I hope to get across the same feeling, the same spirit and the same message as we did with the Staple Singers - and to hopefully continue to make positive changes. We've got to keep pushing to make the world a better place. Things are better but we're not where we need to be and we'll never turn back. 99 and 1/2 just won't do! - Mavis, ISBN13: B000MR8SZU ISBN10: B000MR8SZU Material Type: audioCDAmazon.com As musical activists in the 1960s civil rights movement, the Staple Singers were powerful voices for equality and change. And more than 40 years after Pops's daughter Mavis spent a night in a West Memphis, Arkansas, jail at the behest of a racist cop, she still remembers the terror of the experience, as well as the counsel of Dr. Martin Luther King. That episode is at the centerpiece of "My Own Eyes," one of the most moving offerings on this collection of songs of racial struggle in the '50s and '60s, produced by guitarist Ry Cooder and featuring backing from the original Freedom Singers and Ladysmith Black Mambazo. Throughout, the album proves both emotionally chilling and spiritually uplifting. On J.B. Lenoir's "Down in Mississippi" and Marshall Jones's "In the Mississippi River," for example, Cooder makes fine use of pounding percussion and snaky electric guitar to capture the danger and fear inherent in the Deep South at the time, while the title song and "Jesus Is on the Main Line" draw on gospel and the traditional framework of church hymns to promise positive solutions. Staples, who adlibs on several cuts, connecting the injustice of yesterday to the continuing marginalization of blacks in the wake of Hurricane Katrina, remains a remarkable performer, employing a throaty sensuality that rises from a deep well of tremulous emotion. If her album is musically uneven at times, her artistry and strength continue to shine as undimmed beacons. --Alanna Nash More from Mavis and the Staple Singers Have a Little Faith A Piece of the Action Only for the Lonely The Best of the Staple Singers Great Day The Staple Singers: Greatest Hits Product Description Soul and gospel legend Mavis Staples possesses one of the most recognizable and treasured voices in contemporary music. From her early days sharing lead vocals with her groundbreaking family group, the Staples Sisters, to her powerful solo recordings, Mavis Staples is an inspirational force in modern popular culture and music. From the Artist When we started our family group, The Staple Singers, we started out mostly singing in churches in the south. Pops saw Dr. Martin Luther King speak in 1963 and from there we started to broaden our musical vision beyond just gospel songs. Pops told us, "I like this man. I like his message. And if he can preach it, we can sing it." So we started to write "freedom songs," like "Why Am I Treated So Bad," "When Will We Be Paid for the Work We've Done," "Long Walk to DC," and many others. Like many in the civil rights movement, we drew on the spirituality and the strength from the church to help gain social justice and to try to achieve equal rights. We became a major voice for the civil rights movement and hopefully helped to make a difference in this country. It was a difficult and dangerous time (in 1965 we spent a night in jail in West Memphis, Arkansas and I wondered if we'd ever make it out alive) but we felt we needed to stand up and be heard. So for us, and for many in the civil rights movement, we looked to the church for inner strength and to help make positive changes. And that seems to be missing today. Here it is, 2007, and there are still so many problems and social injustices in the world. Well, I tell you we need a change now more than ever, and I'm turning to the church again for strength. With this record, I hope to get across the same feeling, the same spirit and the same message as we did with the Staple Singers - and to hopefully continue to make positive changes. We've got to keep pushing to make the world a better place. Things are better but we're not where we need to be and we'll never turn back. 99 and 1/2 just won't do! - Mavis, ISBN13: B000MR8SZU ISBN10: B000MR8SZU Material Type: audioCD , ISBN13: B000MR8SZU ISBN10: B000MR8SZU Material Type: audioCD